Note: I have over a dozen queries regarding the following post still out to scholars whose expertise centers on Roman funeral architecture and art. As more responses from them come in, I will add to those to the end of the article.

This vitally important private communication from the late John Wilkes (https://en.wikipedia.org/wiki/John_Wilkes_) describes his own excavation of the now famous (or infamous!) L. Artorius Castus stone:
"In the matter of historical context most people would appear to believe that a date in the reign of Commodus proposed for this career by H.-G. Pflaum (catalogue of equestrian procurators) was too early and his career better fits in the the third century AD, not least because of the use of the term dux in what one assumes to be an official description of his status in command of detachments of the legions stationed in Britain. Moreover, since there are several records of Artorii from Dalmatia, it seems probable that his military career was honoured in his native land. In 1962, in company with my old friend Tony Birley, I travelled from Split a few miles south along the coast where we located the two halves of the text still incorporated in the roadside field wall at Podstrana di Jesenice. The part of the stone with the key letters ARM[...] was buried but we managed to excavate it from the grass verge and confirm that there were no traces of further letters to be seen. Since then both parts of the stone have been removed to the Archaeological Museum in Split and subsequently there has appeared a full study of Castus and his career in the Vjesnik za Arheologiu I Historiju Dalmatinsku."
Why is this letter so important?
Because Dr. Linda A. Malcor, proponent of the ARMATOS reading for the ARM[...]S lacuna on the Castus stone, has often presented - as if it were an extant archaeological setting - an imaginary portrait of the tomb of Castus.
For example, at 5:55 in her rebuttal of August Hunt's talk (https://youtu.be/dyLHmqhN5Ak?si=00TpVia1vkEtBSwV), Dr. Linda A. Malcor says that L. Artorius Castus could not have made his stone larger because it was a memorial stone on a tomb, that is was found in a necropolis, and that the stone couldn't be bigger because it would extend beyond the roofline of the tomb.
This entire assessment of the LAC stone is wrong and based on assumptions devoid of an evidentiary context.
To begin with, the stone (as described by Wilkes) was found built into a modern road's low wall. There is no necropolis (a term used, in any case, for a large cemetery associated with a city; at Podstrana we are talking about a family tomb or a solitary plaque). There is no tomb. And we have no way of knowing how large the tomb was, so to say that its roofline had not been large enough to support a larger stone is an absurd statement. Dr. Malcor is, literally, conjuring an edifice that we have no evidence for, whatsoever. She has no way of determining dimensions for any of the structures affiliated with the memorial stone.
Our first record of the LAC stone (or, rather, it's left half) is found in De' scavi di Salona, 1850, by Francesco Carrara. He is often cited for claiming that an E was ligatured to M, which will fill in part of the lacuna and more easily allow for the reading to be ARMENIOS. But his rendering of that portion of the inscription that he could make out is pretty poor:
Also, he is less than helpful in telling us what the stone was like in situ. In fact, his only reference to the find reads as follows:
"Frammento di un sarcofago, ornatissimo, in marmo bianco, presso la chiesa di San Martino di Postrana alla strada nuova di Almissa.
Fragment of a highly decorated white marble sarcophagus, near the church of St. Martin of Postrana on the new road in Almissa."
It is likely, then, that Wilkes, the excavator of both halves of the stone, preserves more reliable testimony when it comes to whether an E ligatured to the M was visible or not.
What I would like to do now for the remainder of this blog post is to list statements from several leading experts in Roman funeral architecture and art. Fronting their statements is my original, unedited email query to them, the same query that elicited the statements.
"Dear X:
I'm assuming that sarcophagi of the Severan period in Dalmatia, and specifically in Salona, would be of varying sizes. Size may well be determined by the relative wealth of those people paying to have the sarcophagi made. Although, I imagine other factors could come into play. But, in brief, there was no standardized size?
No standard size for the memorial plaques either, I presume?
Where would a plaque such as the following one for L. Artorius Castus be placed?
Thank you for your time and consideration.
Most sincere best wishes, and respectfully,
Daniel Hunt"
Here is what Professor Michael Koortbojian, M. Taylor Pyne Professor of Art and Archaeology at Princeton and expert on Roman sarcophagi, had to say on the LAC memorial stone:
"No standardized size for sarcophagi. But at least big enough for a body (those for children were often small).
Not very many sarcophagi were inscribed. The few texts we have are short. In the tomb itself, there was no standardization.
I don’t think that there is any way to know whether the Castus stone accompanied a sarcophagus. It’s a very standard plaque with a commemorative text. The body might well have been cremated. Unless you knew more about the findspot, there is no way to know for sure.
I’m not so sure the diminishing height of the inscription’s letter forms necessarily prove that it was hung up high. The last line is a convention, and often small; the name is larger for obvious reasons. Again, I doubt it accompanied a sarcophagus.
At the same time, it would not have rested on the ground; too hard to see there. Often this sort of plaque was immured on the outside of a tomb precinct, where passersby could see it."
Prof. Jas Elsner:
"There is no standard size for sarcophagi or plaques. The plaques are heavy and were not hung but immured — in front of tombs, or over burial spaces within tombs, or as memorials. Could be in association with a sarcophagus directly or not. Part of the problem is that despite the numbers of such things, their archaeology as a record of specific siting and context (rather than treasure hunt for stuff) has historically been very poor, so we have much less detailed information than you’d expect."
Nino Švonja, Senior curator, Epigraphic Collection, Archaeological Museum of Split:
"The sarcophagi vary in size. This depended both on individual commissions and on the price. In Dalmatia, most sarcophagi are of local production, carved from limestone, although there were also imported examples. These were products of Attic, Roman, and Asia Minor workshops and were carved from marble. This means that they must also have been more expensive than locally produced sarcophagi.
Likewise, the stone slabs bearing other inscriptions do not have standardized dimensions, but rather depend on the wishes and means of the person commissioning them.
As for the inscription of Lucius Artorius Castus, it must have been built into either his mausoleum or the enclosure surrounding his funerary plot (hortus)."
Professor Nenad Cambi:
"Dear colleague Hunt, there are not standardised size of sarcophagi in the whole Roman world. Normal sizes vary from specimen to specimen. There are vrious dimensions for one or more persons. Local limestone was cheaper than marble one. As concerns the fragments of Lucius Artorius Castus sarcophagus it was made of Proconnesian marble probably cut in Salona. The bigger plaque also with the similar inscription is from local stone and it was intended for the entrance of the precinct as the main monument in the centre. It was common type of a smaller type of the luxury graveyard. That is the reason why we have two almost identical inscriptions. Anyway the costs of chests depend on the marble and the size."
Professor Carrie Weaver:
"Yes, there would be variation in the sizes of Severan sarcophagi, and much of the variation would be based on cost. A sarcophagus would be a more expensive burial container to begin with, but the greater the size and more elaborate the sculptural embellishments, the greater the cost. There wasn't much in the way of standardization, but the sarcophagi also would not have all been made-to-order. There would be mostly complete sarcophagi in a workshop, and someone could pick one of those out and then pay for additional customization, such as carving a portion onto pre-existing figures or purchasing an inscribed plaque. The plaques would also be varying sizes, so no standardization there either.
The placement of plaques could vary. Because the sarcophagi would be on display in a family tomb, the inscriptions are mostly placed in the center, but I've also seen them in the niches in which sarcophagi sit. Are you sure this is from a sarcophagus? I think it might have been on the outside of a tomb. Also, cremation was still being practiced during this period, so it could have been covering a niche that contained an urn.
Looking closer at the inscription--particularly the end--I think it's from a family tomb and not a sarcophagus. Sounds like you've been in touch with an epigrapher, but "vi/vus ipse sibi et suis [--- ex te]st(amento)" --> "Set this up for himself and his own in [his] will", is the type of statement that typically refers to multiple inhumation. Essentially, he establishes the tomb for his immediate family members and household members (i.e., enslaved people and freedmen) after his death. This was a very common Roman practice and it's commonly seen (or variations of it) in Roman funerary inscriptions."








